Oscar 2025/2026: Indicados a Melhor Direção
Paul Thomas Anderson
Indicados ao Oscar 2025/2026 de MELHOR DIREÇÃO:
– Chloé Zhao – “Hamnet – A Vida Antes de Hamlet”
– Josh Safdie – “Marty Supreme“
– Paul Thomas Anderson – “Uma Batalha Após a Outra“
– Joachim Trier – “Valor Sentimental”
– Ryan Coogler – “Pecadores“
Provável vencedor: Paul Thomas Anderson – “Uma Batalha Após a Outra“
Correndo por fora: Ryan Coogler – “Pecadores“
Meu favorito: Chloé Zhao – “Hamnet – A Vida Antes de Hamlet”
Eu gostaria muito que Chloé Zhao fosse a vencedora, mas o favoritismo de Paul Thomas Anderson é gigantesco.
Principais premiações dos indicados:
PAUL THOMAS ANDERSON (“UMA BATALHA APÓS A OUTRA”)
– Directors Guild Of America [Best Director – Feature Film]
– Globo de Ouro [Best Director – Motion Picture]
– Critics Choice Awards [Best Director]
– BAFTA [Best Director]
– Atlanta Film Critics Circle [Best Director]
– Austin Film Critics Association [Best Director]
– Australian Academy of Cinema & Television Arts [Best Direction in Film]
– Boston Online Film Critics [Best Director]
– Capri Hollywood International Film Festival [Best Director]
– Chicago Film Critics Association [Best Director]
– Columbus Film Critics Association [Best Director]
– Dallas-Fort Worth Film Critics [Best Director]
– DiscussingFilm Creative Association [Best Director]
– Georgia Film Critics Association [Best Director]
– Greater Western NY Film Critics Association [Best Director]
– Hawaii Film Critics Society [Best Director]
– Indiana Film Journalists Association [Best Director]
– Indiewire Critics’ Poll [Best Director]
– Kansas City Film Critics Circle [Best Director]
– Las Vegas Film Critics Society [Best Director]
– London Film Critics Circle [Director of The Year]
– Los Angeles Film Critics Association [Best Director]
– Minnesota Film Critics Association [Best Director]
– National Board Of Review [Best Director]
– National Society Of Film Critics [Best Director]
– NBP Film Awards [Best Director]
– NBP Film Community Awards [Best Director]
– New Jersey Film Critics Circle [Best Director]
– North Dakota Film Society [Best Director]
– Oklahoma Film Critics Circle [Best Director]
– Online Film Critics Society [Best Director]
– Online Film & Television Association [Best Director]
– Philadelphia Film Critics Circle [Best Director]
– Phoenix Critics Circle [Best Director]
– Phoenix Film Critics Society [Best Director]
– Portland Critics Association [Best Director]
– San Francisco Bay Area Film Critics [Best Director]
– Seattle Film Critics Society [Best Director]
– St Louis Film Critics Association [Best Director]
– Toronto Film Critics Association [Best Director]
RYAN COOGLER (“PECADORES”)
– African American Film Critics [Best Director]
– Alliance of Women Film Journalists [Best Director]
– Black Film Critics Circle [Best Director]
– Black Film Critics Circle [Pioneer Award]
– Black Reel Awards [Outstanding Director]
– Chicago Indie Critics Award [Best Director]
– Critics Association Of Central Florida [Best Director]
– Denver Film Critics Society [Best Director]
– Dorian Award – GALECA [Director Of The Year]
– Dorian Award – GALECA [Wilde Artist Award]
– Dublin Film Critics Circle [Best Director]
– Hollywood Creative Alliance [Best Director]
– Houston Film Critics Society [Best Director]
– Latino Entertainment Journalists Association [Best Director]
– Michigan Movie Critics Guild [Best Director]
– Music City Film Critics Association [Best Director]
– Multi Nerdz Awards [Melhor Diretor]
– NAACP Image Award [Outstanding Directing in a Motion Picture]
– New York Film Critics Online [Best Director]
– North Carolina Film Critics [Best Director]
– North Texas Film Critics Association [Best Director]
– Online Association Of Female Film Critics [Best Director]
– Pittsburgh Film Critics Association [Best Director]
– Puerto Rico Critics Association [Best Director]
– San Diego Film Critics Society [Best Director]
– Southern Eastern Film Critics [Best Director]
– Vancouver Film Critics Circle [Best Director]
– Washington DC Area Film Critics [Best Director]
CHLOE ZHAO (“HAMNET – A VIDA ANTES DE HAMLET”)
– Alliance of Women Film Journalists [Best Female Director]
– Iowa Film Critics Association [Best Director]
– Middleburg Film Festival [Visionary Director Award]
– Satellite Awards [Best Director]
– Women Film Critics Circle [Best Movie by a Woman]
JOACHIM TRIER (“VALOR SENTIMENTAL”)
– European Film Award [Best European Director]
Outros premiados não indicados:
EVA VICTOR (“SORRY, BABY”)
– Atlanta Film Critics Circle [Best First Feature Film]
– Chicago Film Critics Association [Best Breakthrough Filmmaker]
– Chicago Indie Critics Award [Breakout Behind-The-Scenes]
– Dorian Award – GALECA [Rising Star Award]
– Hawaii Film Critics Society [Best New Filmmaker]
– National Board Of Review [Best Directorial Debut]
– NBP Film Awards [Best Debut Director]
– NBP Film Community Awards [Best Debut Director]
– New Jersey Film Critics Circle [Best Directorial Debut]
– New York Film Critics Online [Best Debut Director]
– North Carolina Film Critics [Best Directorial Debut]
– Oklahoma Film Critics Circle [Best First Feature]
– Online Association Of Female Film Critics [Best Breakthrough Filmmaker]
– San Diego Film Critics Society [Best First Feature (Director)]
– Utah Film Critics Association [Best Achievement in Directing]
KLEBER MENDONÇA FILHO (“O AGENTE SECRETO”)
– Festival de Cannes [Best Director]
– Festival de Havana [Best Director]
– Key West Film Festival [Critics Award]
– International Cinephile Society [Best Director]
– Morelia International Film Festival [UNAM Film Library Medal]
JAFAR PANAHI (“FOI APENAS UM ACIDENTE”)
– Gotham Awards [Best Director]
– Midnight Critics Circle [Best Director]
– Midnight Critics Circle [Lifetime Achievement]
– New York Film Critics Circle Awards [Best Director]
AKINOLA DAVIES JR (“MY FATHER’S SHADOW”)
– BAFTA [Outstanding Debut By A British Writer, Director Or Producer] (com Wale Davies)
– British Independent Film Awards [Best Director]
– Gotham Awards [Breakthrough Director]
CHARLIE POLINGER (“THE PLAGUE”)
– Directors Guild Of America [Best Director – First Film Theatrical Feature Film]
– Philadelphia Film Critics Circle [Best Directorial Debut]
CLINT BENTLEY (“SONHOS DE TREM”)
– Las Vegas Film Critics Society [Breakout Filmmaker]
– Spirit Awards [Best Director]
GUILLERMO DEL TORO (“FRANKENSTEIN”)
– AARP Movies For Grownups [Best Director]
– Capri Hollywood International Film Festival [Capri Producers of The Year]
MASCHA SCHILINSKI (“SOUND OF FALLING”)
– Chicago International Film Festival [Silver Hugo: Best Director]
– Stockholm International Film Festival [Best Director]
PARK CHAN-WOOK (“A ÚNICA SAÍDA”)
– Florida Film Critics Circle [Best Director]
– Hollywood Creative Alliance [Filmmaking Achievement Award]
BENNY SAFDIE (“THE SMASHING MACHINE”)
– Festival de Veneza [Silver Lion – Best Director]
BRENDAN CANTY (“CHRISTY”)
– Irish Film & Television Academy [Best Director – Film]
CAL MCMAU (“WASTEMAN”)
– British Independent Film Awards [Best Debut Director]
HARRY LIGHTON (“PILLION”)
– London Film Critics Circle [Breakthrough British/Irish Filmmaker of The Year]
HASAN HADI (“THE DICTATOR’S CAKE”)
– Stockholm International Film Festival [Best Debut]
HIKARI (“FAMÍLIA DE ALUGUEL”)
– Virginia Film Festival [Breakthrough Director Award]
HOU MENG (“LIVING THE LAND”)
– Festival de Berlim [Silver Bear for Best Director]
JAMES CAMERON (“AVATAR: FOGO E CINZAS”)
– Saturn Awards [Best Film Direction]
JON M. CHU (“WICKED: FOR GOOD”)
– Advanced Imaging Society [Judy Garland Legacy Award]
MARY BRONSTEIN (“SE EU TIVESSE PERNAS, EU TE CHUTARIA”)
– Greater Western NY Film Critics Association [Best Breakthrough Director]
MYRID CARTEN (“A WANT IN HER”)
– British Independent Film Awards [Best Debut Director – Feature Documentary]
RICHARD LINKLATER (“NOUVELLE VAGUE”)
– Lumière Awards [Best Director]
Cinema é Magia 