Oscar 2016/2017: Indicados a Melhor Penteado & Cabelos

•fevereiro, 24 2017 • Deixe um comentário

__esquadraos

17. Indicados ao Oscar 2016/2017 de Melhor Penteado & Cabelos:

“Um Homem Chamado Ove”
“Star Trek: Sem Fronteiras”
“Esquadrão Suicida”

Provável vencedor = “Esquadrão Suicida”
Correndo por fora = “Star Trek: Sem Fronteiras”
Meu favorito = “Esquadrão Suicida”

— Premiações entre os indicados:

“Star Trek: Sem Fronteiras”
– Hollywood Makeup Artist and Hair Stylist Guild Awards [Best Special Makeup Effects – Feature-Length Motion Picture]

“Esquadrão Suicida”
– Hollywood Makeup Artist and Hair Stylist Guild Awards [Best Period and/or Character Makeup – Feature-Length Motion Picture]

— Não indicados mas premiados:

“Animais Noturnos”
– Hollywood Makeup Artist and Hair Stylist Guild Awards [Best Contemporary Makeup – Feature-Length Motion Picture]

“Ave, César!”
– Hollywood Makeup Artist and Hair Stylist Guild Awards [Best Period and/or Character Hair Styling – Feature-Length Motion Picture]

“La La Land”
– Hollywood Makeup Artist and Hair Stylist Guild Awards [Best Contemporary Hair Styling – Feature-Length Motion Picture]

“Florence”
– BAFTA [Best Make Up/Hair]

“Jackie”
– Broadcast Film Critics Association Awards [Best Hair & Makeup]

“Até o Último Homem”
– Hollywood Film Awards [Make-Up and Hairstyling of the Year]

Oscar 2016/2017: Indicadas a Melhor Atriz

•fevereiro, 23 2017 • Deixe um comentário
Isabelle Huppert

Isabelle Huppert

16. Indicadas ao Oscar 2016/2017 de Melhor Atriz:

Isabelle Huppert, por “Elle”
Ruth Negga, por “Loving”
Natalie Portman, por “Jackie”
Emma Stone, por “La La Land – Cantando Estações”
Meryl Streep, por “Florence: Quem é Essa Mulher?”

Provável vencedora = Isabelle Huppert, por “Elle”
Correndo por fora = Natalie Portman, por “Jackie”
Minha favorita = Isabelle Huppert, por “Elle”

— Premiações entre as indicadas:

Isabelle Huppert, por “Elle”
– Globo de Ouro [Best Performance by an Actress in a Motion Picture – Drama]
– Alliance of Women Film Journalists [Bravest Performance]
– Alliance of Women Film Journalists [Actress Defying Age and Ageism] (empate)
– Austin Film Critics Awards [Best Actress]
– Boston Online Film Critics [Best Actress] (também por “O Que Está Por Vir”)
– Boston Society of Film Critics [Best Actress]
– Florida Film Critics Circle Awards [Best Actress]
– Gotham Awards [Melhor Atriz]
– Indiewire Critics’ Poll [Best Lead Actress]
– London Critics Circle Film Awards [Dilys Powell Award]
– Los Angeles Film Critics Association [Best Actress] (também por “O Que Está Por Vir”)
– National Society of Film Critics Awards [Best Actress] (também por “O Que Está Por Vir”)
– New York Film Critics Circle [Best Actress] (também por “O Que Está Por Vir”)
– New York Film Critics, Online [Best Actress]
– San Francisco Film Critics Circle [Best Actress]
– Satellite Awards [Best Actress in a Motion Picture] (empate)
– Seattle Film Critics Awards [Best Actress]
– St Louis Film Critics Awards [Best Actress]
– Vancouver Film Critics Circle [Best Actress]
– Village Voice Film Poll [Best Actress]

Natalie Portman, por “Jackie”
– Broadcast Film Critics Association Awards [Best Actress]
– Chicago Film Critics Association [Best Actress]
– Dallas-Fort Worth Film Critics [Best Actress]
– Denver Film Critics Society [Best Actress]
– Georgia Film Critics Awards [Best Actress]
– Hollywood Film Awards [Actress of the Year]
– Houston Film Critics Awards [Best Actress]
– Kansas City Film Critics Circle [Best Actress]
– Las Vegas Film Critics Society [Best Actress]
– North Texas Film Critics Association [Best Actress]
– Online Film Critics Society [Best Actress]
– Palm Springs International Film Festival [Desert Palm Achievement Award]
– Phoenix Critics Circle [Best Actress]
– Southeastern Film Critics Awards [Best Actress]
– Washington DC Area Film Critics [Best Actress]

Emma Stone, por “La Land: Cantando Estações”
– Screen Actors Guild [Outstanding Performance by a Female Actor in a Leading Role]
– Globo de Ouro [Best Performance by an Actress in a Motion Picture – Musical or Comedy]
– BAFTA [Best Leading Actress]
– AACTA International Award [Best Lead Actress]
– Festival de Veneza [Volpi Cup – Best Actress]
– Detroit Film Critics Society [Best Actress]
– North Carolina Film Critics Association [Best Actress]
– Phoenix Film Critics Society [Best Actress in a Leading Role]
– Utah Film Critics Awards [Best Actress]

Ruth Negga, por “Loving”
– African-American Film Critics Awards [Best Actress]
– Alliance of Women Film Journalists [Best Actress]
– Alliance of Women Film Journalists [Best Breakthrough Performance]
– Black Film Critics Circle Awards [Breakthrough Performance]
– New York Film Critics, Online [Best Ensemble]
– Palm Springs International Film Festival [Rising Star Award]
– Satellite Awards [Best Actress in a Motion Picture] (empate)

Meryl Streep, por “Florence: Quem é Essa Mulher?”
– Broadcast Film Critics Association Awards [Best Actress in a Comedy]

— Não indicadas mas premiadas:

Amy Adams, por “A Chegada”
– Dublin Film Critics Circle Awards [Best Actress]
– Iowa Film Critics Awards [Best Actress]
– National Board of Review [Melhor Atriz]
– Palm Springs International Film Festival [Chairman’s Award]
– Oklahoma Film Critics Circle Awards [Best Actress]
– Oklahoma Film Critics Circle Awards [Best Body of Work – A Chegada, Animais Noturnos, Batman vs Superman]

Isabelle Huppert, por “O Que Está Por Vir”
– Alliance of Women Film Journalists [Actress Defying Age and Ageism] (empate)
– Boston Online Film Critics [Best Actress] (também por “Elle”)
– Los Angeles Film Critics Association [Best Actress] (também por “Elle”)
– London Critics Circle Film Awards [Actress of The Year]
– National Society of Film Critics Awards [Best Actress] (também por “Elle”)
– New York Film Critics Circle [Best Actress] (também por “Elle”)

Annette Bening, por “20th Century Women”
– Alliance of Women Film Journalists [Actress Defying Age and Ageism] (empate)
– Atlanta Film Critics Society Awards [Best Actress]
– Nevada Film Critics Awards [Best Actress]

Anya Taylor-Joy, por “A Bruxa”
– Gotham Awards [Melhor Ator/Atriz Revelação]
– Phoenix Film Critics Society [Breakthrough Performance]
– Seattle Film Critics Awards [Best Youth Performance]

Rebecca Hall, por “Christine”
– Central Ohio Film Critics Association [Best Actress]
– Indiana Film Journalists [Best Actress]

Kate Beckinsale, por “Amor & Amizade”
– London Critics Circle Film Awards [Britsh/Irish Actress of The Year]

Sonia Braga, por “Aquarius”
– San Diego Film Critics Society’s Award [Melhor Atriz]

Margot Robbie, por “Esquadrão Suicida”
– Broadcast Film Critics Association Awards [Best Actress in a Action Movie]

Sandra Hüller, por “Toni Erdmann”
– Toronto Film Critics Association [Best Actress]

Hayley Squires, por “Eu, Daniel Blake”
– Dublin Film Critics Circle Awards [Breakthrough Award – International]

Lily Collins, por “Rules Don’t Apply”
– Hollywood Film Awards [New Hollywood Award]

Sasha Lane, por “American Honey”
– British Independent Film Awards [Best Actress]

Janelle Monáe, por “Estrelas Além do Tempo” e “Moonlight”
– African-American Film Critics Awards [Breakthrough Performance]
– Black Film Critics Circle Awards [Rising Star Award]

Oscar 2016/2017: Indicados a Melhor Direção de Arte

•fevereiro, 22 2017 • Deixe um comentário

__la-la-land

15. Indicados a Oscar 2016/2017: Melhor Direção de Arte

“A Chegada”
“Animais Fantásticos e onde Habitam”
“Ave, César!”
“La La Land – Cantando Estações”
“Passageiros”

Provável vencedor = “La La Land – Cantando Estações”
Correndo por fora = “Passageiros”
Meu favorito = “Animais Fantásticos e onde Habitam”

— Premiações entre os indicados:

“La La Land: Cantando Estações”, David Wasco e Sandy Reynolds-Wasco
– Art Directors Guild [Contemporary Film]
– Broadcast Film Critics Association Awards [Best Production Design]
– Florida Film Critics Circle Awards [Best Art Direction/Production Design]
– Georgia Film Critics Awards [Best Production Design]
– Houston Film Critics Awards [Technical Achievement – Production Design]
– Las Vegas Film Critics Society [Best Art Direction]
– Nevada Film Critics Awards [Best Production Design]
– Phoenix Film Critics Society [Best Production Design]
– Satellite Awards [Best Art Direction & Production Design]
– Washington DC Area Film Critics [Best Production Design]

“Passageiros”
– Art Directors Guild [Fantasy Film]

“Animais Fantásticos e onde Habitam”
– BAFTA [Best Production Design]

“Ave, César!”
– San Diego Film Critics Society’s Award [Melhor Design de Produção]

— Não indicados mas premiados:

“A Criada”, Seong-hie Ryu
– Chicago Film Critics Association [Best Art Direction/Production Design]
– Los Angeles Film Critics Association [Melhor Design de Produção]
– San Francisco Film Critics Circle [Best Production Design]
– Seattle Film Critics Awards [Best Production Design]
– St Louis Film Critics Awards [Best Art Direction]

“Estrelas Além do Tempo”
– Art Directors Guild [Period Film]
– Hollywood Film Awards [Production Designer of the Year]

Yorimatã: Concorrendo no Festival Sesc Melhores Filmes 2016

•fevereiro, 21 2017 • Deixe um comentário

“Yorimatã” está concorrendo nas categorias de voto popular no 43˚ Festival Sesc Melhores Filmes, com os melhores filmes de 2016:

O público pode votar no filme nas categorias de Melhor Documentário, Melhor Direção, Melhor Roteiro e Melhor Fotografia.

Acesse o link, vote e ganhe um par de ingressos para qualquer sessão do festival:

http://melhoresfilmes.sescsp.org.br/

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Oscar 2016/2017: Indicados a Melhor Roteiro Adaptado

•fevereiro, 21 2017 • Deixe um comentário

__a-chegada

14. Indicados ao Oscar 2016/2017 de Melhor Roteiro Adaptado

“A Chegada”
“Um Limite Entre Nós”
“Estrelas Além do Tempo”
“Lion – Uma Jornada para Casa”
“Moonlight: Sob a Luz do Luar”

Provável vencedor = “A Chegada”
Correndo por fora = “Moonlight: Sob a Luz do Luar”
Meu favorito = Não vi “Moonlight” e “Um Limite Entre Nós”

— Premiações entre os indicados:

“A Chegada”, Eric Heisserer
– Writers Guild of America [Best Adapted Screenplay]
– Austin Film Critics Awards [Best Adapted Screenplay]
– Broadcast Film Critics Association Awards [Best Adapted Screenplay]
– Dublin Film Critics Circle Awards [Best Screenplay]
– Kansas City Film Critics Circle [Best Adapted Screenplay]
– Nevada Film Critics Awards [Best Adapted Screenplay]
– North Carolina Film Critics Association [Best Adapted Screenplay]
– Oklahoma Film Critics Circle Awards [Best Adapted Screenplay]
– Online Film Critics Society [Best Adapted Screenplay]
– San Francisco Film Critics Circle [Best Screenplay, Adapted]
– Washington DC Area Film Critics [Best Adapted Screenplay]

“Moonlight”, Barry Jenkins
– Alliance of Women Film Journalists [Best Adapted Screenplay]
– Central Ohio Film Critics Association [Best Adapted Screenplay]
– Denver Film Critics Society [Best Adapted Screenplay]
– GALECA [Screenplay of the Year]
– Georgia Film Critics Awards [Best Adapted Screenplay]
– Indiana Film Journalists [Best Adapted Screenplay]
– New York Film Critics, Online [Best Screenplay]
– Southeastern Film Critics Awards [Best Adapted Screenplay]
– Utah Film Critics Awards [Best Writing, Screenplay Based on Material from Another Medium]
(*) em algumas premiações concorreu como Original, em outras como Adaptado

(*) “Moonlight”, Barry Jenkins
– Writers Guild of America [Best Original Screenplay]
– Austin Film Critics Awards [Best Original Screenplay]
– Gotham Awards [Melhor Roteiro]
– San Francisco Film Critics Circle [Best Screenplay, Original] (empate)
– Satellite Awards [Best Screenplay, Original]

“Um Limite Entre Nós”, August Wilson
– African-American Film Critics Awards [Best Screenplay]
– Black Film Critics Circle Awards [Best Adapted Screenplay]

— Não indicados mas premiados:

“Amor & Amizade”, Whit Stillman
– Florida Film Critics Circle Awards [Best Adapted Screenplay]
– San Diego Film Critics Society’s Award [Melhor Roteiro Adaptado]
– St Louis Film Critics Awards [Best Adapted Screenplay]

“A Criada”, Seo-kyeong Jeong e Chan-wook Park
– Chicago Film Critics Association [Best Adapted Screenplay]

“Animais Noturnos”, Tom Ford
– Las Vegas Film Critics Society [Best Screenplay, Adapted]

“Até o Último Homem”, Robert Schenkkan e Andrew Knight
– Phoenix Film Critics Society [Best Screenplay Adapted from Other Material]

“Certas Mulheres”, Kelly Reichardt
– Alliance of Women Film Journalists [Best Woman Screenwriter]

“Lion: Uma Jornada Para Casa”, Luke Davies
– BAFTA [Best Screenplay (Adapted)]

“Silence”, Jay Cocks e Martin Scorsese
– National Board of Review [Melhor Roteiro Adaptado]

“Snowden: Herói ou Traidor”, Kieran Fitzgerald e Oliver Stone
– Satellite Awards [Best Screenplay, Adapted]

“Sob a Sombra”, Babak Anvari
– British Independent Film Awards [Best Screenplay]

Oscar 2016/2017: Indicados a Melhor Roteiro Original

•fevereiro, 20 2017 • Deixe um comentário

__manchester

13. Indicados ao Oscar 2016/2017 de Melhor Roteiro Original:

“A Qualquer Custo”
“La La Land – Cantando Estações”
“O Lagosta”
“Manchester à Beira-Mar”
“20th Century Women”

Provável vencedor = “Manchester à Beira-Mar”
Correndo por fora = “A Qualquer Custo”
Meu favorito = “Manchester à Beira-Mar”

— Premiações entre os indicados:

“Manchester À Beira-Mar”, Kenneth Lonergan
– BAFTA [Best Screenplay (Original)]
– AACTA International Award [Best Screenplay]
– Alliance of Women Film Journalists [Best Original Screenplay]
– Atlanta Film Critics Society Awards [Best Original Screenplay]
– Black Film Critics Circle Awards [Best Original Screenplay]
– Boston Online Film Critics [Best Screenplay]
– Boston Society of Film Critics [Best Screenplay]
– Broadcast Film Critics Association Awards [Best Original Screenplay] (empate)
– Chicago Film Critics Association [Best Original Screenplay]
– Dallas-Fort Worth Film Critics [Best Screenplay]
– Hollywood Film Awards [Screenplay of the Year]
– Indiana Film Journalists [Best Original Screenplay]
– Indiewire Critics’ Poll [Best Screenplay]
– London Critics Circle Film Awards [Screenwriter of The Year]
– National Board of Review [Melhor Roteiro Original]
– National Society of Film Critics Awards [Best Screenplay]
– New York Film Critics Circle [Best Screenplay]
– Oklahoma Film Critics Circle Awards [Best Original Screenplay]
– San Francisco Film Critics Circle [Best Screenplay, Original] (empate)
– Southeastern Film Critics Awards [Best Original Screenplay]
– Toronto Film Critics Association [Best Screenplay]
– Vancouver Film Critics Circle [Best Screenplay]
– Village Voice Film Poll [Best Screenplay]

“A Qualquer Custo”, Taylor Sheridan
– Central Ohio Film Critics Association [Best Original Screenplay]
– Denver Film Critics Society [Best Original Screenplay]
– Houston Film Critics Awards [Best Screenplay]
– Kansas City Film Critics Circle [Best Original Screenplay]
– Nevada Film Critics Awards [Best Original Screenplay]
– North Carolina Film Critics Association [Best Original Screenplay]
– Online Film Critics Society [Best Original Screenplay]
– Phoenix Film Critics Society [Best Original Screenplay]
– San Diego Film Critics Society’s Award [Melhor Roteiro Original]
– St Louis Film Critics Awards [Best Original Screenplay]
– Utah Film Critics Awards [Best Writing, Screenplay Written Directly for the Screen]

“La La Land: Cantando Estações”, Damien Chazelle
– Globo de Ouro [Best Screenplay – Motion Picture]
– Broadcast Film Critics Association Awards [Best Original Screenplay] (empate)
– Detroit Film Critics Society [Best Screenplay]
– Georgia Film Critics Awards [Best Original Screenplay]
– Las Vegas Film Critics Society [Best Screenplay, Original]
– Washington DC Area Film Critics [Best Original Screenplay]

“O Lagosta”, Yorgos Lanthimos e Efthymis Filippou
– Florida Film Critics Circle Awards [Best Original Screenplay]
– Los Angeles Film Critics Association [Melhor Roteiro]
– Phoenix Critics Circle [Best Screenplay]

Sidney Poitier: 90 anos em 20.02.2017

•fevereiro, 20 2017 • Deixe um comentário

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