Oscar 2025/2026: Indicados a Melhor Roteiro Original
Indicados ao Oscar 2025/2026 de MELHOR ROTEIRO ORIGINAL:
– “Blue Moon” – Robert Kaplow
– “Foi Apenas Um Acidente” – Jafar Panahi, Nader Saeivar, Shadmehr Rastin & Mehdi Mahmoudian
– “Marty Supreme” – Ronald Bronstein & Josh Safdie
– “Valor Sentimental” – Joachim Trier & Eskil Vogt
– “Pecadores” – Ryan Coogler
Provável vencedor: “Pecadores”
Correndo por fora: “Foi Apenas Um Acidente”
Meu favorito: “Valor Sentimental”
“Pecadores” é o grande favorito.
Principais premiações dos indicados:
“PECADORES” (Ryan Coogler)
– Writers Guild Of America [Original Screenplay]
– Critics Choice Awards [Best Original Screenplay]
– BAFTA [Best Original Screenplay]
– African American Film Critics [Best Writing]
– Alliance of Women Film Journalists [Best Original Screenplay]
– Black Film Critics Circle [Best Original Screenplay]
– Atlanta Film Critics Circle [Best Original Screenplay]
– Black Reel Awards [Outstanding Screenplay]
– Chicago Indie Critics Award [Best Original Screenplay]
– Columbus Film Critics Association [Best Original Screenplay]
– Critics Association Of Central Florida [Best Screenplay]
– Denver Film Critics Society [Best Original Screenplay]
– DiscussingFilm Creative Association [Best Original Screenplay]
– Dorian Award – GALECA [Screenplay Of The Year (Original Or Adapted)]
– Dublin Film Critics Circle [Best Screenplay]
– Georgia Film Critics Association [Best Original Screenplay]
– Greater Western NY Film Critics Association [Best Original Screenplay]
– Hawaii Film Critics Society [Best Original Screenplay]
– Hollywood Creative Alliance [Best Original Screenplay]
– Houston Film Critics Society [Best Screenplay]
– Indiana Film Journalists Association [Best Original Screenplay]
– Las Vegas Film Critics Society [Best Original Screenplay]
– Latino Entertainment Journalists Association [Best Original Screenplay]
– Minnesota Film Critics Association [Best Original Screenplay]
– Music City Film Critics Association [Best Screenplay]
– Multi Nerdz Awards [Melhor Roteiro]
– NAACP Image Award [Outstanding Writing in a Motion Picture]
– National Board Of Review [Best Original Screenplay]
– NBP Film Community Awards [Best Original Screenplay]
– New Jersey Film Critics Circle [Best Original Screenplay]
– North Carolina Film Critics [Best Original Screenplay]
– North Texas Film Critics Association [Best Screenplay]
– Oklahoma Film Critics Circle [Best Original Screenplay]
– Online Film Critics Society [Best Original Screenplay]
– Online Film & Television Association [Best Original Screenplay]
– Philadelphia Film Critics Circle [Best Screenplay]
– Phoenix Film Critics Society [Best Original Screenplay]
– Pittsburgh Film Critics Association [Best Original Screenplay]
– Portland Critics Association [Best Screenplay]
– Puerto Rico Critics Association [Best Original Screenplay]
– Southern Eastern Film Critics [Best Original Screenplay]
– Toronto Film Critics Association [Best Original Screenplay]
– Vancouver Film Critics Circle [Best Screenplay]
– Washington DC Area Film Critics [Best Original Screenplay]
“FOI APENAS UM ACIDENTE” (Jafar Panahi, Nader Saeivar, Shadmehr Rastin & Mehdi Mahmoudian)
– Capri Hollywood International Film Festival [Best Original Screenplay]
– Chicago Film Critics Association [Best Original Screenplay]
– Florida Film Critics Circle [Best Original Screenplay]
– Gotham Awards [Best Original Screenplay]
– Los Angeles Film Critics Association [Best Screenplay]
– Midnight Critics Circle [Best Original Screenplay]
– National Society Of Film Critics [Best Screenplay]
– NBP Film Awards [Best Original Screenplay]
– New York Film Critics Online [Best Screenplay]
– San Diego Film Critics Society [Best Original Screenplay]
“VALOR SENTIMENTAL” (Joachim Trier & Eskil Vogt)
– Australian Academy of Cinema & Television Arts [Best Screenplay in Film]
– European Film Award [Best European Screenwriter]
– San Francisco Bay Area Film Critics [Best Original Screenplay]
“MARTY SUPREME” (Ronald Bronstein & Josh Safdie)
– Austin Film Critics Association [Best Original Screenplay]
– New York Film Critics Circle Awards [Best Screenplay]
Outros premiados não indicados:
“SORRY, BABY” (Eva Victor)
– Alliance of Women Film Journalists [Best Female Writer]
– Dorian Award – GALECA [LGBTQ Screenplay Of The Year]
– Online Association Of Female Film Critics [Best Original Screenplay]
– Spirit Awards [Best Screenplay]
– Utah Film Critics Association [Best Screenplay]
“O AGENTE SECRETO” (Kleber Mendonça Filho)
– Arts and Entertainment Critics Awards, Chile [Best Screenplay]
– Festival de Havana [Best Screenplay]
– International Cinephile Society [Best Original Screenplay]
“A HORA DO MAL” (Zach Cregger)
– Kansas City Film Critics Circle [Best Original Screenplay]
– St Louis Film Critics Association [Best Original Screenplay]
“FATHER” (Dusan Budzak, Tereza Nvotová)
– Stockholm International Film Festival [Best Screenplay]
“KONTINENTAL 25” (Radu Jude)
– Festival de Berlim [Silver Bear for Best Screenplay]
“LA GRAZIA” (Paul Sorrentino)
– Chicago International Film Festival [Silver Hugo: Best Screenplay]
“NOUVELLE VAGUE (Holly Gent, Vince Palmo and Michèle Halberstadt)
– Newport Beach Film Festival [Outstanding Screenplay]
“ONE OF THEM DAYS” (Syreeta Singleton)
– Black Reel Awards [Outstanding First Screenplay]
“THE GREAT ARCH” (Stéphane Demoustier)
– Lumière Awards [Best Screenplay]
“YOUNG MOTHERS” (Luc Dardenne, Jean-Pierre Dardenne)
– Festival de Cannes [Best Screenplay]
Cinema é Magia 