Oscar 2024/2025: Indicados a Melhor Fotografia
Indicados ao Oscar 2024/2025 de Melhor Fotografia:
“O BRUTALISTA” (Lol Crawley)
“DUNA: PARTE 2” (Greig Fraser)
“EMILIA PÉREZ” (Paul Guilhaume)
“MARIA CALLAS” (Ed Lachman)
“NOSFERATU” (Jarin Blaschke)
Provável vencedor: “NOSFERATU”
Correndo por fora: “O BRUTALISTA”
Meu favorito: “O BRUTALISTA”
Aos 45min do segundo tempo, “Maria Callas” (a fotografia que eu menos gostei) levou justamente o prêmio do sindicato. Mas sinceramente não acredito que leve o Oscar que acho que está entre “Nosferatu” e “O Brutalista”. É importante lembrar que um dos favoritos ao prêmio, Jomo Fray, de Nickel Boys, vencedor de diversos prêmios, não foi indicado.
Principais premiações dos indicados:
“NOSFERATU” (Jarin Blaschke)
– Critics Choice Awards [Best Cinematography]
– Alliance of Women Film Journalists [Best Cinematography]
– Brazil Online Film Awards [Melhor Fotografia]
– Chicago Indie Critics [Best Cinematography]
– Columbus Film Critics Association [Best Cinematography]
– Denver Film Critics Society [Best Cinematography]
– DiscussingFilm Critic Awards [Best Cinematography]
– Greater Western NY Film Critics [Best Cinematography]
– Indiana Film Journalists Association [Best Cinematography]
– Latino Entertainment Journalists Association [Best Cinematography] – EMPATE
– London Film Critics Circle [Cinematography Of The Year] – EMPATE
– Music City Film Critics [Best Cinematography]
– National Board Of Review [Outstanding Achievement in Cinematography]
– NBP Film Awards [Best Cinematography] – EMPATE
– North Carolina Film Critics [Best Cinematography]
– North Texas Film Critics [Best Cinematography]
– Oklahoma Film Critics Circle [Best Cinematography]
– Online Association Of Female Film Critics [Best Cinematography]
– Online Film & Television Association [Best Cinematography]
– Philadelphia Film Critics Circle [Best Cinematography]
– Phoenix Critics Circle [Best Cinematography]
– Phoenix Film Critics Society [Best Cinematography]
– Puerto Rico Critics Association [Best Cinematography]
– San Diego Film Critics Society [Best Cinematography]
– St Louis Film Critics Association [Best Cinematography]
– Washington DC Area Film Critics [Best Cinematography]
“O BRUTALISTA” (Lol Crawley)
– BAFTA [Best Cinematography]
– British Society Of Cinematographers [Best Cinematography In A Feature Film]
– Austin Film Critics Association [Best Cinematography]
– Boston Online Film Critics [Best Cinematography]
– Boston Society Of Film Critics [Best Cinematography]
– Capri International Film Festival [Best Cinematography]
– Florida Film Critics Circle [Best Cinematography]
– Hawaii Film Critics Society [Best Cinematography]
– Houston Film Critics Society [Best Cinematography]
– Kansas City Film Critics Circle [Best Cinematography]
– Minnesota Film Critics Association [Best Cinematography]
– Nevada Film Critics Society [Best Cinematography]
– New York Film Critics Online [Best Cinematography]
– North Dakota Film Society [Best Cinematography]
– Portland Critics Association [Best Cinematography]
– San Francisco Bay Area Film Critics [Best Cinematography]
“DUNA: PARTE 2” (Greig Fraser)
– Critics Association Of Central Florida [Best Cinematography]
– Dallas-Fort Worth Film Critics [Best Cinematography]
– Georgia Film Critics Association [Best Cinematography]
– Gold Derby Film Awards [Best Cinematography]
– Las Vegas Film Critics Society [Best Cinematography]
– NBP Film Community Awards [Best Cinematography]
– Online Film Critics Society [Best Cinematography]
– Satellite Awards [Best Cinematography]
– Southern Eastern Film Critics [Best Cinematography]
“MARIA CALLAS” (Ed Lachman)
– American Society Of Cinematographers [Theatrical Feature Film]
Outros premiados não indicados:
“NICKEL BOYS” (Jomo Fray)
– Atlanta Film Critics Circle [Best Cinematography]
– Black Film Critics Circle [Best Cinematography]
– Black Reel Award [Outstanding Cinematography]
– Chicago Film Critics [Best Cinematography]
– Dorian Award [Visually Striking Film of The Year]
– International Cinephile Society [Best Cinematography]
– Latino Entertainment Journalists Association [Best Cinematography] – EMPATE
– London Film Critics Circle [Cinematography Of The Year] – EMPATE
– Los Angeles Film Critics Association [Best Cinematography]
– NAACP Image Award [Outstanding Cinematography in a Motion Picture]
– National Society Of Film Critics [Best Cinematography]
– NBP Film Awards [Best Cinematography] – EMPATE
– New York Film Critics Circle [Best Cinematography]
– Pittsburgh Film Critics Association [Best Cinematography]
– Seattle Film Critics Society [Best Cinematography]
– Spirit Award [Best Cinematography]
– Utah Film Critics Association [Best Cinematography]
“CONCLAVE” (Stéphane Fontaine)
– Dublin Film Critics Circle [Best Cinematography]
“LOVE LIES BLEEDING” (Bem Fordesman)
– British Independent Film Award [Best Cinematography]
“NO OTHER LAND” (Rachel Szor, Hamdan Ballal, Yuval Abraham, Basel Adra)
– Puerto Rico Critics Association [Cinematographic Resistance Award]
“O QUARTO AO LADO” (Edu Grau)
– Goya [Mejor Dirección de Fotografía]
“SUGARCANE” (Christopher LaMarca)
– Cinema Eye Honors [Cinematography]
Cinema é Magia 