Oscar 2024/2025: Indicados a Melhor Edição
Indicados ao Oscar 2024/2025 de Melhor Edição:
“ANORA” (Sean Baker)
“CONCLAVE” (Nick Emerson)
“O BRUTALISTA” (Dávid Jancsó)
“EMILIA PÉREZ” (Juliete Welfling)
“WICKED: PARTE 1” (Myron Kerstein)
Provável vencedor: ?????
Correndo por fora: ?????
Meu favorito: “ANORA”
O que dizer de uma categoria onde os dois favoritos não estão nas indicações? Se somar os prêmios conquistados por “Rivais” e “Duna: Parte 2” dá o dobro dos prêmios dos indicados, sem falar em “Setembro 5″… Enfim… torço por “Anora”, considerando que o Eddie Award, do American Cinema Editors, só será revelado depois do Oscar…
Principais premiações dos indicados:
“ANORA” (Sean Baker)
– Critics Choice Awards [Best Editing]
– San Francisco Bay Area Film Critics [Best Editing]
– Washington DC Area Film Critics [Best Editing] – EMPATE
“EMILIA PÉREZ” (Juliete Welfling)
– Alliance of Women Film Journalists [Best Editing] – EMPATE
– Hawaii Film Critics Society [Best Editing]
“O BRUTALISTA” (Dávid Jancsó)
– Alliance of Women Film Journalists [Best Editing] – EMPATE
– Portland Critics Association [Best Film Editing]
“CONCLAVE” (Nick Emerson)
– BAFTA [Best Editing]
– London Film Critics Circle [Film Editing Of The Year]
Outros premiados não indicados:
“RIVAIS” (Marco Costa)
– Boston Society Of Film Critics [Best Editing]
– Brazil Online Film Awards [Melhor Edição]
– Chicago Indie Critics [Best Editing]
– Critics Association Of Central Florida [Best Editing]
– Chicago Film Critics [Best Editing]
– Columbus Film Critics Association [Best Film Editing]
– DiscussingFilm Critic Awards [Best Film Editing]
– Greater Western NY Film Critics [Best Editing]
– Latino Entertainment Journalists Association [Best Editing]
– Minnesota Film Critics Association [Best Editing]
– Music City Film Critics [Best Editing]
– NBP Film Awards [Best Film Editing]
– NBP Film Community Awards [Best Film Editing]
– North Carolina Film Critics [Best Editing]
– North Dakota Film Society [Best Editing]
– Online Association Of Female Film Critics [Best Editing]
– Online Film Critics Society [Best Editing]
– Online Film & Television Association [Best Film Editing]
– Pittsburgh Film Critics Association [Best Editing]
– Puerto Rico Critics Association [Best Film Editing]
“DUNA: PARTE 2” (Joe Walker)
– Boston Online Film Critics [Best Editing]
– Capri International Film Festival [Best Film Editing]
– Las Vegas Film Critics Society [Best Film Editing]
– Phoenix Film Critics Society [Best Film Editing]
– Satellite Awards [Best Film Editing]
– Washington DC Area Film Critics [Best Editing] – EMPATE
“SETEMBRO 5” (Hansjörg Weißbric)
– Los Angeles Film Critics Association [Best Editing] – EMPATE
– San Diego Film Critics Society [Best Editing]
– Spirit Award [Best Editing]
– Utah Film Critics Association [Best Film Editing]
“A SUBSTÂNCIA” (Jérôme Eltabet, Coralie Fargeat, Valentin Feron)
– Austin Film Critics Association [Best Editing]
– Gold Derby Film Awards [Best Film Editing]
– Indiana Film Journalists Association [Best Editing]
“NICKEL BOYS” (Nicholas Monsour)
– Los Angeles Film Critics Association [Best Editing] – EMPATE
– St Louis Film Critics Association [Best Editing]
“AFTERNOONS OF SOLITUDE” (Albert Serra, Artur Tort)
– International Cinephile Society [Best Editing]
“DEADPOOL & WOLVERINE” (Dean Zimmerman, Shane Reid)
– Saturn Awards [Best Film Editing]
“KNEECAP” (Julian Ulrichs, Chris Gill)
– British Independent Film Award [Best Editing]
“FURIOSA: A MAD MAX SAGA” (Eliot Knapman, Margaret Sixel)
– Seattle Film Critics Society [Best Editing]
“SOUNDTRACK OF A COUP D’ETAT” (Rik Chaubet)
– Cinema Eye Honors [Editing]
Cinema é Magia 