Oscar 2024/2025: Indicados a Melhor Roteiro Adaptado
Indicados ao Oscar 2024/2025 de Melhor Roteiro Adaptado:
“UM COMPLETO DESCONHECIDO” (James Mangold, Jay Cocks)
“CONCLAVE” (Peter Straughan)
“EMILIA PÉREZ” (Jacques Audiard, Thomas Bidegain, Nicolas Livecch)
“NICKEL BOYS” (RaMell Ross, Joslyn Barnes)
“SING SING” (Clint Bentley, Greg Kwedar)
Provável vencedor: “CONCLAVE”
Correndo por fora: “NICKEL BOYS”
Meu favorito: “CONCLAVE”
Somente “Conclave” e “Emilia Pérez” já foram exibidos nos cinemas brasileiros. “Conclave” leva vantagem não somente pela quantidade de prêmios mas por ter levado Globo de Ouro, BAFTA e Critics Choice Awards, mas é importante destacar que “Nickel Boys” levou o Writers Guild of America.
Principais premiações dos indicados:
“CONCLAVE” (Peter Straughan)
– Globo de Ouro [Best Screenplay, Motion Picture]
– BAFTA [Best Adapted Screenplay]
– Critics Choice Awards [Best Adapted Screenplay]
– Alliance of Women Film Journalists [Best Screenplay, Adapted]
– Hawaii Film Critics Society [Best Adapted Screenplay]
– Las Vegas Film Critics Society [Best Adapted Screenplay]
– Latino Entertainment Journalists Association [Best Adapted Screenplay]
– Minnesota Film Critics Association [Best Adapted Screenplay]
– NBP Film Awards [Best Adapted Screenplay] – EMPATE
– NBP Film Community Awards [Best Adapted Screenplay]
– Nevada Film Critics Society [Best Adapted Screenplay]
– North Carolina Film Critics [Best Adapted Screenplay]
– North Dakota Film Society [Best Screenplay]
– Oklahoma Film Critics Circle [Best Adapted Screenplay]
– Online Association Of Female Film Critics [Best Adapted Screenplay] – EMPATE
– Online Film Critics Society [Best Adapted Screenplay]
– Phoenix Film Critics Society [Best Screenplay Adapted From Other Material]
– Puerto Rico Critics Association [Best Adapted Screenplay]
– Southern Eastern Film Critics [Best Adapted Screenplay]
– St Louis Film Critics Association [Best Adapted Screenplay]
– Washington DC Area Film Critics [Best Adapted Screenplay]
“NICKEL BOYS” (RaMell Ross, Joslyn Barnes)
– Writers Guild of America [Best Adapted Screenplay]
– Atlanta Film Critics Circle [Best Adapted Screenplay]
– Black Film Critics Circle [Best Adapted Screenplay]
– Boston Society Of Film Critics [Best Adapted Screenplay]
– Chicago Film Critics [Best Adapted Screenplay]
– Georgia Film Critics Association [Best Adapted Screenplay]
– Indiana Film Journalists Association [Best Adapted Screenplay]
– International Cinephile Society [Best Adapted Screenplay]
– Online Association Of Female Film Critics [Best Adapted Screenplay] – EMPATE
– Satellite Awards [Best Screenplay, Adapted]
– Toronto Film Critics Association [Best Adapted Screenplay]
“SING SING” (Clint Bentley, Greg Kwedar)
– African American Film Critics [Best Screenplay]
– Austin Film Critics Association [Best Adapted Screenplay]
– Greater Western NY Film Critics [Adapted Screenplay]
– National Board Of Review [Best Adapted Screenplay]
– NBP Film Awards [Best Adapted Screenplay] – EMPATE
– Pittsburgh Film Critics Association [Best Adapted Screenplay]
– San Diego Film Critics Society [Best Adapted Screenplay]
– San Francisco Bay Area Film Critics [Best Adapted Screenplay]
“EMILIA PÉREZ” (Jacques Audiard, Thomas Bidegain, Nicolas Livecch)
– Capri International Film Festival [Best Adapted Screenplay]
– European Film Award [European Screenwriter]
Outros premiados não indicados:
“AINDA ESTOU AQUI” (Murilo Hauser, Heitor Lorega)
– Festival de Veneza [Best Screenplay]
– Gold Derby Film Awards [Best Adapted Screenplay]
“DUNA: PARTE 2” (Denis Villeneuve, Jon Spaihts)
– Denver Film Critics Society [Best Adapted Screenplay]
“O QUARTO AO LADO” (Pedro Almodóvar)
– Goya [Mejor Guion Adaptado]
“QUEER” (Justin Kuritzkes)
– Florida Film Critics Circle [Best Adapted Script]
“ROBÔ SELVAGEM” (Chris Sanders)
– Columbus Film Critics Association [Best Adapted Screenplay]
“WICKED: PARTE 1” (Winnie Holzman)
– AARP Movies For Grownups [Best Screenwriter]
Cinema é Magia 