Oscar 2024/2025: Indicados a Melhor Direção de Arte
Indicados ao Oscar 2024/2025 de Melhor Direção de Arte:
“O BRUTALISTA” (Judy Becker, Patricia Cuccia)
“CONCLAVE” (Suzie Davies, Cynthia Sleiter)
“DUNA: PARTE 2” (Zsuzsanna Sipos, Shane Vieau, Patrice Vermette)
“NOSFERATU” (Craig Lathrop, Beatrice Brentnerova)
“WICKED” (Nathan Crowley, Lee Sandales)
Provável vencedor: “WICKED”
Correndo por fora: “CONCLAVE”
Meu favorito: “WICKED”
Sem dúvida um dos prêmios mais equilibrados da disputa. “WICKED: PARTE 1” e “Conclave” levaram o Set Decorators Society of America e o Art Directors Guild, mas observem o equilíbrio entre os concorrentes.
Principais premiações dos indicados:
“WICKED: PARTE 1” (Nathan Crowley)
– Art Directors Guild [Art Direction – Fantasy Feature Film]
– Set Decorators Society of America [Best Achievement in Décor/Design of a Comedy or Musical Feature Film]
– Critics Choice Awards [Best Production Design]
– Capri International Film Festival [Best Production Design]
– Critics Association Of Central Florida [Best Production Design]
– Gold Derby Film Awards [Best Production Design]
– Hawaii Film Critics Society [Best Art Direction]
– NBP Film Community Awards [Best Production Design]
– Puerto Rico Critics Association [Best Production Design]
– San Diego Film Critics Society [Best Production Design]
– Washington DC Area Film Critics [Best Production Design]
“NOSFERATU” (Craig Lathrop, Beatrice Brentnerova)
– Art Directors Guild [Art Direction – Period Feature Film]
– Chicago Film Critics [Best Art Direction/Production Design]
– Georgia Film Critics Association [Best Production Design]
– Las Vegas Film Critics Society [Best Art Direction]
– Music City Film Critics [Best Production Design]
– North Carolina Film Critics [Best Production Design]
– Pittsburgh Film Critics Association [Best Production Design]
– St Louis Film Critics Association [Best Production Design]
“O BRUTALISTA” (Judy Becker)
– London Film Critics Circle [Production Design Of The Year]
– Los Angeles Film Critics Association [Best Production Design]
– Nevada Film Critics Society [Best Production Design]
– North Dakota Film Society [Best Production Design]
– Portland Critics Association [Best Production Design]
– San Francisco Bay Area Film Critics [Best Production Design]
– Seattle Film Critics Society [Best Production Design]
“DUNA: PARTE 2” (Zsuzsanna Sipos, Shane Vieau, Patrice Vermette)
– Florida Film Critics Circle [Best Artistic Direction/Production Design]
– Minnesota Film Critics Association [Best Production Design]
– Online Film Critics Society [Best Production Design]
– Phoenix Film Critics Society [Best Production Design]
– Saturn Awards [Best Film Production Design]
“CONCLAVE” (Suzie Davies, Cynthia Sleiter)
– Art Directors Guild [Art Direction – Contemporary Feature Film]
– Set Decorators Society of America [Best Achievement in Décor/Design of a Contemporary Feature Film]
Outros premiados não indicados:
“ROBÔ SELVAGEM” (Raymond Zibach, Ritchie Sacilioc)
– Art Directors Guild [Art Direction – Animated Feature Film]
– Annie Awards [Best Production Design – Feature]
“BEETLEJUICE BEETLEJUICE” (David Morison, Lori Mazuer, Mark Scruton)
– Set Decorators Society of America [Best Achievement in Décor/Design of a Fantasy or Science Fiction Film]
“GLADIADOR II”
– Satellite Awards [Best Production Design]
“THE ASSESSMENT” (Jack Houllevigue)
– British Independent Film Award [Best Production Design]
“THE BEAST” (Katia Wyszkop)
– International Cinephile Society [Best Editing]
“UM COMPLETO DESCONHECIDO” (Regina Graves, François Auduoy)
– Set Decorators Society of America [Best Achievement in Décor/Design of a Period Feature Film]
“UNION” (Mars Verrone, Samantha Curley)
– Cinema Eye Honors [Production]
Cinema é Magia 