Oscar 2015/2016: Primeiros filmes a observar, após os primeiros prêmios de 2015
Finda a primeira fase de prêmios para os melhores do cinema em 2015, ficam já as primeiras observações. Não necessariamente eles são indicativos para o Oscar a ser entregue em fevereiro de 2016 mas, seja como for, já podemos considerar que alguns nomes já despontam para as indicações às tão cobiçadas estatuetas, a serem anunciadas em breve. Neste post, estamos considerando 16 premiações que aconteceram entre 30.11 e 23.12.2015 (ainda falta Austin):
– Gotham Awards [30.11.2015]
– National Board of Review [01.12.2015]
– Boston Society of Film Critics Awards [06.12.2015]
– British Independent Film Award [06.12.2015]
– Los Angeles Film Critics Association Awards [06.12.2015]
– New York Film Critics Circle Awards [06.12.2015]
– Online Film Critics Society [07.12.2015]
– Washington DC Area Film Critics Association [07.12.2015]
– European Film Awards [13.12.2015]
– Dallas-Fort Worth Film Critics Association Awards [14.12.2015]
– San Diego Film Critics Society Awards [14.12.2015]
– Chicago Film Critics Association Awards [16.12.2015]
– Florida Film Critics Circle Awards [20.12.2015]
– Kansas City Film Critics Circle Awards [20.12.2015]
– Las Vegas Film Critics Society Awards (Sierra Awards)
– Phoenix Film Critics Society Awards
com alguns acréscimos baseados no Cannes Film Festival [24.05.2015] e no Toronto International Film Festival [20.09.2015].
A lista de indicados do Oscar 2015/2016 ainda nem saiu, mas eu já vou conjecturando, baseado nessas premiações regionais já entregues. É curioso saber que “Spotlight” é considerado o filme do ano, mas só é forte em duas categorias: Melhor Filme e Melhor Roteiro Original. Na sua cola, com mais categorias como favorito (inclusive Melhor Diretor e as categorias técnicas) vem “Mad Max”, num curioso caso em que o novo supera o original, talvez não na memória do cinéfilo mas na qualidade técnica da filmagem… será?
O outro “será” do ano é a eterna incógnita Leonardo DiCaprio, sempre esnobado pela Academia… Já levou 8 prêmios de Melhor Ator do ano (por “O Regresso”), será que dessa vez vai? Para apostar no sempre ótimo Paul Dano como seu principal adversário, é preciso aguardar para saber se ele será indicado como Ator Principal ou como Coadjuvante por “Love & Mercy”. É o mesmo caso de Rooney Mara, que foi Melhor Atriz do Festival de Cannes com “Carol” e teoricamente pode concorrer com Cate Blanchett pelo mesmo filme: ela levou outros dois prêmios, mas como coadjuvante. A favorita a Melhor Atriz é Brie Larson (por “O Quarto de Jack”), mas há quem diga que a Academia queira premiar a veterana Charlotte Rampling (por “45 Anos”)…
Tudo é especulação, é esperar pra ver. Mas segue a lista dos principais premiados até agora:
===> Melhor Filme
“Spotlight”
– Boston Society of Film Critics Awards [Best Picture]
– Boston Society of Film Critics Awards [Best Ensemble Cast]
– Dallas-Fort Worth Film Critics Association Awards [Best Picture]
– Florida Film Critics Circle Awards [Best Ensemble]
– Gotham Awards [Best Film]
– Gotham Awards [Ensemble Performance]
– Las Vegas Film Critics Society Awards [Best Picture]
– Las Vegas Film Critics Society Awards [Best Ensemble]
– Los Angeles Film Critics Association Awards [Best Picture]
– Phoenix Film Critics Society Awards [Best Picture]
– Phoenix Film Critics Society Awards [Best Ensemble Acting]
– Washington DC Area Film Critics Association [Best Film]
– Washington DC Area Film Critics Association [Best Acting Ensemble]“Mad Max: Estrada da Fúria”
– Chicago Film Critics Association Awards [Best Picture]
– Florida Film Critics Circle Awards [Best Picture]
– Kansas City Film Critics Circle Awards [Best Picture]
– Las Vegas Film Critics Society Awards [Best Action Film]
– National Board of Review [Best Picture]
– Online Film Critics Society [Best Picture]
– San Diego Film Critics Society Awards [Best Picture]“Ex Machina”
– British Independent Film Award [Best British Independent Film]
– Kansas City Film Critics Circle Awards [Best Science Fiction, Fantasy or Horror Film]
– Las Vegas Film Critics Society Awards [Best Horror Film]“Carol”
– Cannes Film Festival [Queer Palm]
– New York Film Critics Circle Awards [Best Film]“O Quarto de Jack”
– British Independent Film Award [Best International Independent Film]
– Toronto International Film Festival [People Choice Award]“The Big Short”
– National Board of Review [Best Ensemble]“Sicario”
– National Board of Review [Spotlight Award – for Outstanding Collaborative Vision]“Beasts of No Nation”
– National Board of Review [NBR Freedom of Expression Award – empate]“Mustang”
– National Board of Review [NBR Freedom of Expression Award – empate]“Kajaki: The True Story”
– British Independent Film Award [Producer of The Year]“Me and Earl and the Dying Girl”
– Phoenix Film Critics Society Awards [The Ovelooked Film of The Year]“What We Do In The Shadows”
– San Diego Film Critics Society Awards [Best Ensemble]“Cinderella”
– Las Vegas Film Critics Society Awards [Best Family Film]“Trainwreck”
– Las Vegas Film Critics Society Awards [Best Comedy Film]
===> Melhor Diretor
George Miller (“Mad Max: Estrada da Fúria”)
– Chicago Film Critics Association Awards [Best Director]
– Florida Film Critics Circle Awards [Best Director]
– Kansas City Film Critics Circle Awards [Best Director]
– Los Angeles Film Critics Association Awards [Best Director]
– Online Film Critics Society [Best Director]
– San Diego Film Critics Society Awards [Best Director]
– Washington DC Area Film Critics Association [Best Director]Todd Haynes (“Carol”)
– Boston Society of Film Critics Awards [Best Director]
– New York Film Critics Circle Awards [Best Director]Ridley Scott (“Perdido em Marte”)
– National Board of Review [Best Director]
– Phoenix Film Critics Society Awards [Best Director]Alex Garland (“Ex Machina”)
– British Independent Film Award [Best Director]
– Las Vegas Film Critics Society Awards [Breakout Filmmaker of the Year]
– Chicago Film Critics Association Awards [Best Promising Filmmaker]Tom McCarthy (“Spotlight”)
– Las Vegas Film Critics Society Awards [Best Director]Alejandro Gonzalez Inarritu (“O Regresso”)
– Dallas-Fort Worth Film Critics Association Awards [Best Director]Stephen Fingleton (“The Survivalist”)
– British Independent Film Award [Best Debut Director]Jonas Carpignano (“Mediterrânea”)
– Gotham Awards [Breakthrough Director Award]
– National Board of Review [Best Directorial Debut]Marielle Heller (“The Diary of a Teenage Girl”)
– Boston Society of Film Critics Awards [Best New Filmmaker]Sean Baker (“Tangerine”)
– Dallas-Fort Worth Film Critics Association Awards [Russell Smith Award]
===> Melhor Ator
Leonardo DiCaprio (“O Regresso”)
– Boston Society of Film Critics Awards [Best Actor – empate]
– Chicago Film Critics Association Awards [Best Actor]
– Dallas-Fort Worth Film Critics Association Awards [Best Actor]
– Kansas City Film Critics Circle Awards [Best Actor]
– Las Vegas Film Critics Society Awards [Best Actor]
– Phoenix Film Critics Society Awards [Best Actor]
– San Diego Film Critics Society Awards [Best Actor]
– Washington DC Area Film Critics Association [Best Actor]Paul Dano (“Love & Mercy”)
– Boston Society of Film Critics Awards [Best Actor – empate]
– Dallas-Fort Worth Film Critics Association Awards [Best SUPPORTING Actor]
– Florida Film Critics Circle Awards [Best Actor]
– Gotham Awards [Best Actor]Michael Fassebender (“Steve Jobs”)
– Los Angeles Film Critics Association Awards [Best Actor]
– Online Film Critics Society [Best Actor]Matt Damon (“Perdido em Marte”)
– National Board of Review [Best Actor]Michael Keaton (“Spotlight”)
– New York Film Critics Circle Awards [Best Actor]Ryan Coogler (“Creed”)
– Los Angeles Film Critics Association Awards [New Generation]Tom Hardy (“Legend”)
– British Independent Film Award [Best Actor]Michael Caine [“Youth”]
– European Film Awards [European Actor 2015]
===> Melhor Atriz
Brie Larson (“O Quarto de Jack”)
– Chicago Film Critics Association Awards [Best Actress]
– Dallas-Fort Worth Film Critics Association Awards [Best Actress]
– Florida Film Critics Circle Awards [Best Actress]
– Las Vegas Film Critics Society Awards [Best Actress]
– National Board of Review [Best Actress]
– Phoenix Film Critics Society Awards [Best Actress]
– San Diego Film Critics Society Awards [Best Actress]Charlotte Rampling (“45 Anos”)
– Boston Society of Film Critics Awards [Best Actress]
– European Film Awards [European Actress 2015]
– Los Angeles Film Critics Association Awards [Best Actress]Saoirse Ronan (“Brooklyn”)
– British Independent Film Award [Best Actress]
– New York Film Critics Circle Awards [Best Actress]
– Washington DC Area Film Critics Association [Best Actress]Rooney Mara (“Carol”)
– Cannes Film Festival [Melhor Atriz, empate com Emanuelle Bercot]
– Dallas-Fort Worth Film Critics Association Awards [Best SUPPORTING Actress]
– Online Film Critics Society [Best SUPPORTING Actress]Bel Powley (“The Diary of a Teenage Girl”)
– Gotham Awards [Best Actress]Cate Blanchett (“Carol”)
– Online Film Critics Society [Best Actress]Charlize Theron (“Mad Max: Estrada da Fúria”)
– Kansas City Film Critics Circle Awards [Best Actress]Mya Taylor (“Tangerine”)
– Gotham Awards [Best Breakthrough Actor/Actress]Abigail Hardingham (“Nina Forever”)
– British Independent Film Award [Most promising newcomer]
===> Melhor Ator Coadjuvante
Mark Rylance (‘Ponte de Espiões”)
– Boston Society of Film Critics Awards [Best Supporting Actor]
– New York Film Critics Circle Awards [Best Supporting Actor]
– Phoenix Film Critics Society Awards [Best Supporting Actor]Michael Shannon (“99 Homes”)
– Kansas City Film Critics Circle Awards [Best Supporting Actor]
– Los Angeles Film Critics Association Awards [Best Supporting Actor]Oscar Isaac (“Ex Machina”)
– Florida Film Critics Circle Awards [Best Supporting Actor]
– Online Film Critics Society [Best Supporting Actor]Sylvester Stallone (“Creed: Nascido Para Lutar”)
– Las Vegas Film Critics Society Awards [Best Supporting Actor]
– National Board of Review [Best Supporting Actor]Idris Elba (“Beasts of No Nation”)
– Washington DC Area Film Critics Association [Best Supporting Actor]Brendan Gleeson (“Suffragette”)
– British Independent Film Award [Best Supporting Actor]Benicio Del Toro (“Sicario”)
– Chicago Film Critics Association Awards [Best Supporting Actor]Abraham Attah (“Beasts of No Nation”)
– National Board of Review [Breakthrough Performance – empate]Tom Noonan (“Anomalisa”)
– San Diego Film Critics Society Awards [Best Supporting Actor, Male]Jacob Tremblay (“O Quarto de Jack”)
– Chicago Film Critics Association Awards [Best Promising Performer]
– Las Vegas Film Critics Society Awards [Youth in Film]
– National Board of Review [Breakthrough Performance – empate]
– Phoenix Film Critics Society Awards [Best Performance By a Youth]
– San Diego Film Critics Society Awards [Breakthrough Artist]
– Washington DC Area Film Critics Association [Best Youth Performance]Paul Dano (“Love & Mercy”)
– Boston Society of Film Critics Awards [Best LEADING Actor – empate]
– Dallas-Fort Worth Film Critics Association Awards [Best SUPPORTING Actor]
– Florida Film Critics Circle Awards [Best LEADING Actor]
– Gotham Awards [Best LEADING Actor]
===> Melhor Atriz Coadjuvante
Alicia Vikander (“Ex Machina”)
– Chicago Film Critics Association Awards [Best Supporting Actress]
– Kansas City Film Critics Circle Awards [Best Supporting Actress]
– Los Angeles Film Critics Association Awards [Best Supporting Actress]
– Phoenix Film Critics Society Awards [Breakthrough Performance]
– San Diego Film Critics Society Awards [Body of Work, por mais 3 filmes]
– Washington DC Area Film Critics Association [Best Supporting Actress]Alicia Vikander (“A Garota Dinamarquesa”)
– Phoenix Film Critics Society Awards [Best Supporting Actress]Kirsten Stewart (“Acima das Nuvens”)
– Boston Society of Film Critics Awards [Best Supporting Actress]
– Florida Film Critics Circle Awards [Best Supporting Actress]
– New York Film Critics Circle Awards [Best Supporting Actress]Jennifer Jason Leigh (“Os Oito Odiados”)
– San Diego Film Critics Society Awards [Best Supporting Actor, Female]
– National Board of Review [Best Supporting Actress]Rooney Mara (“Carol”)
– Cannes Film Festival [Melhor Atriz PRINCIPAL, empate com Emanuelle Bercot]
– Dallas-Fort Worth Film Critics Association Awards [Best Supporting Actress]
– Online Film Critics Society [Best Supporting Actress]Elizabeth Banks (“Love & Mercy”)
– Las Vegas Film Critics Society Awards [Best Supporting Actress]Olivia Colman (“The Lobster”)
– British Independent Film Award [Best Supporting Actress]Daisy Ridley (“Star Wars: O Despertar da Força”)
– Florida Film Critics Circle Awards [Breakout Award]
===> Melhor Roteiro Original
“Spotlight” (Tom McCarthy e Josh Singer)
– Boston Society of Film Critics Awards [Best Screenplay]
– Chicago Film Critics Association Awards [Best Original Screenplay]
– Dallas-Fort Worth Film Critics Association Awards [Best Screenplay]
– Florida Film Critics Circle Awards [Best Original Screenplay]
– Gotham Awards [Writer Award]
– Kansas City Film Critics Circle Awards [Best Original Screenplay]
– Las Vegas Film Critics Society Awards [Best Original Screenplay]
– Los Angeles Film Critics Association Awards [Best Screenplay]
– Online Film Critics Society [Best Original Screenplay]“Os Oito Odiados” (Quentin Tarantino)
– National Board of Review [Best Original Screenplay]“Divertida Mente” (Pete Docter, Meg LeFauve e Josh Cooley,
história original de Pete Docter e Ronnie Del Carmen)
– Phoenix Film Critics Society Awards [Best Original Screenplay]
– Washington DC Area Film Critics Association [Best Original Screenplay]“What We Do In Shadows”
– San Diego Film Critics Society Awards [Best Original Screenplay]
===> Melhor Roteiro Adaptado
A Grande Aposta (Charles Randolph e Adam McKay)
– Chicago Film Critics Association Awards [Best Adapted Screenplay]
– Florida Film Critics Circle Awards [Best Adapted Screenplay]
– Kansas City Film Critics Circle Awards [Best Adapted Screenplay]
– Phoenix Film Critics Society Awards [Best Adapted Screenplay]O Quarto do Pânico (Emma Donoghue)
– San Diego Film Critics Society Awards [Best Adapted Screenplay]
– Washington DC Area Film Critics Association [Best Adapted Screenplay]Perdido em Marte (Drew Goddard)
– Las Vegas Film Critics Society Awards [Best Adapted Screenplay]
– National Board of Review [Best Adapted Screenplay]Carol (Phyllis Nagy)
– Online Film Critics Society [Best Adapted Screenplay]Ex Machina
– British Independent Film Award [Best Screenplay]
===> Melhor Documentário
“Amy”
– Boston Society of Film Critics Awards [Best Documentary]
– Chicago Film Critics Association Awards [Best Documentary]
– Dallas-Fort Worth Film Critics Association Awards [Best Documentary]
– Florida Film Critics Circle Awards [Best Documentary]
– Kansas City Film Critics Circle Awards [Best Documentary]
– National Board of Review [Best Documentary]
– Los Angeles Film Critics Association Awards [Best Documentary/Nonfiction film]
– Washington DC Area Film Critics Association [Best Documentary]“O Peso do Silêncio”
– Gotham Awards [Best Documentary]
– Online Film Critics Society [Best Documentary]“Dark Horse: The Incredible True Story Of Dream Alliance
– British Independent Film Award [Best Documentary]“In Jackson Heights”
– New York Film Critics Circle Awards [Best Nonfiction Film]“He Named Me Malala”
– Phoenix Film Critics Society Awards [Best Documentary]“Cartel Land”
– San Diego Film Critics Society Awards [Best Documentary]“Going Clear: Scientology and the Prison of Belief”
– Las Vegas Film Critics Society Awards [Best Documentary]
===> Melhor Filme Estrangeiro
“O Filho de Saul” (Hungria)
– Chicago Film Critics Association Awards [Best Foreign Language Film]
– Dallas-Fort Worth Film Critics Association Awards [Best Foreign Language Film]
– New York Film Critics Circle Awards [Best Foreign Language Film]
– Los Angeles Film Critics Association Awards [New Generation]
– Phoenix Film Critics Society Awards [Best Foreign Language Film]
– Washington DC Area Film Critics Association [Best Foreign Language Film]“The Assassin” (Tailândia)
– Florida Film Critics Circle Awards [Best Foreign Language Film]
– Online Film Critics Society [Best Film Not in the English Language]“O Peso do Silêncio” (Dinamarca)
– Boston Society of Film Critics Awards [Best Foreign-Language Film]“Phoenix” (Alemanha)
– Kansas City Film Critics Circle Awards [Best Foreign Language Film]“Goodbye Mommy” (Austria)
– Las Vegas Film Critics Society Awards [Best Foreign Film]“Taxi”
– San Diego Film Critics Society Awards [Best Foreign Language Film]
===> Melhor Fotografia
“Mad Max: Estrada da Fúria” (John Seale)
– Chicago Film Critics Association Awards [Best Cinematography]
– Florida Film Critics Circle Awards [Best Cinematography]
– Los Angeles Film Critics Association Awards [Best Cinematography]
– Online Film Critics Society [Best Cinematography]“O Regresso”
– Dallas-Fort Worth Film Critics Association Awards [Best Cinematography]
– Las Vegas Film Critics Society Awards [Best Cinematography]
– Phoenix Film Critics Society Awards [Best Cinematography]
– Washington DC Area Film Critics Association [Best Cinematography]“Carol” (Edward Lachman)
– Boston Society of Film Critics Awards [Best Cinematography]
– New York Film Critics Circle Awards [Best Cinematography]“Sicario” (Roger Deakins)
– San Diego Film Critics Society Awards [Best Cinematography]
===> Melhor Filme de Animação
“Divertida Mente”
– Boston Society of Film Critics Awards [Best Animated Film – empate]
– Chicago Film Critics Association Awards [Best Animated Film]
– Dallas-Fort Worth Film Critics Association Awards [Best Animated Film]
– Florida Film Critics Circle Awards [Best Animated Film]
– Kansas City Film Critics Circle Awards [Best Animated Feature]
– Las Vegas Film Critics Society Awards [Best Animated Film]
– Online Film Critics Society [Best Animated Feature]
– Phoenix Film Critics Society Awards [Best Animated Film]
– Washington DC Area Film Critics Association [Best Animated Feature]“Anomalisa”
– Boston Society of Film Critics Awards [Best Animated Film – empate]
– Los Angeles Film Critics Association Awards [Best Animation]
– San Diego Film Critics Society Awards [Best Animated Film]
===> Melhor Edição
“Mad Max: Estrada da Fúria” (Margaret Sixel)
– Boston Society of Film Critics Awards [Best Film Editing]
– Chicago Film Critics Association Awards [Best Editing]
– Las Vegas Film Critics Society Awards [Best Film Editing]
– Online Film Critics Society [Best Editing]
– Phoenix Film Critics Society Awards [Best Film Editing]
– San Diego Film Critics Society Awards [Best Editing]
– Washington DC Area Film Critics Association [Best Editing]“The Big Short” (Hank Corwin)
– Los Angeles Film Critics Association Awards [Best Film Editing]
===> Melhor Figurino
“Mad Max: Estrada da Fúria”
– Las Vegas Film Critics Society Awards [Best Costume Design]
– Phoenix Film Critics Society Awards [Best Costume Design]
===> Melhor Direção de Arte
“Mad Max: Estrada da Fúria” (Colin Gibson)
– Chicago Film Critics Association Awards [Best Art Direction/Production Design]
– Los Angeles Film Critics Association Awards [Best Production Design]
– Phoenix Film Critics Society Awards [Best Production Design]
– Washington DC Area Film Critics Association [Best Production Design]“Brooklin” (François Seguin)
– Las Vegas Film Critics Society Awards [Best Art Direction]
– San Diego Film Critics Society Awards [Best Production Design]“Carol”
– Florida Film Critics Circle Awards [Best Art Direction/Production Design]
===> Melhor Trilha Sonora
“Os Oito Odiados”
– Chicago Film Critics Association Awards [Best Original Score]
– Las Vegas Film Critics Society Awards [Best Score]
– San Diego Film Critics Society Awards [Best Use of Music in a Film]“Love & Mercy”
– Boston Society of Film Critics Awards [Best Use of Music in a Film]
– Florida Film Critics Circle Awards [Best Score]Carter Burwell (por “Anomalisa” e “Carol”)
– Los Angeles Film Critics Association Awards [Best Music Score]“Ponte dos Espiões”
– Phoenix Film Critics Society Awards [Best Original Score]“O Regresso”
– Dallas-Fort Worth Film Critics Association Awards [Best Musical Score]
===> Melhor Canção Original
“Velozes e Furiosos 7 (“See You Again”)
– Las Vegas Film Critics Society Awards [Best Song]
– Phoenix Film Critics Society Awards [Best Original Song]
===> Melhores Efeitos Visuais
“Mad Max: Estrada da Fúria”
– Florida Film Critics Circle Awards [Best Visual Effects]
– Las Vegas Film Critics Society Awards [Best Visual Effects]
– Phoenix Film Critics Society Awards [Best Visual Effects]“Ex Machina”
– British Independent Film Award [Outstanding achievement in craft – Andrew Whitehurst (visual effects)“The Walk”
– San Diego Film Critics Society Awards [Best Visual Effects]
===> Melhor Som
“Mad Max: Estrada da Fúria”
– San Diego Film Critics Society Awards [Best Sound Design]
Cinema é Magia 